TECHNIQUE Black chalk on paper DIMENSIONS 21 x 29,7 cm DATE 2019 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE On “Celestial Collection (#785)”
Kosmos
Upper categories:
Solitude (#304)
TECHNIQUE Tempera on canvas DIMENSIONS 50,8 x 40,6 cm DATE 2020 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE On demand “Solitude (#304)”
Step Towards The Future (#305)
TECHNIQUE Tempera on canvas DIMENSIONS 50,8 x 40,6 cm DATE 2020 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE On demand “Step Towards The Future (#305)”
Fragile Perfection I (#281)
Drawings Made after the Glass Models by Blaschka at the Zoological Museum in Strasbourg TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm “Fragile Perfection I (#281)”
Fragile Perfection II (#282)
Drawings Made after the Glass Models by Blaschka at the Zoological Museum in Strasbourg TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm “Fragile Perfection II (#282)”
Fragile Perfection III (#283)
Drawings Made after the Glass Models by Blaschka at the Aquarium in Liege TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm DATE “Fragile Perfection III (#283)”
Fragile Perfection IV (#284)
Drawings Made after the Glass Models by Blaschka at the Aquarium in Liege TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm DATE “Fragile Perfection IV (#284)”
Sky Messengers I (#285)
TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm DATE 2019 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE “Sky Messengers I (#285)”
Sky Messengers II (#286)
TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm DATE 2019 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE “Sky Messengers II (#286)”
Laboratory of the Future (#287)
TECHNIQUE Black paper, white pencil Conté DIMENSIONS 42 x 29,7 cm DATE 2019 AVAILABILITY Available to purchase. Please feel free to get in touch. PRICE “Laboratory of the Future (#287)”